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Mary Ellen Assue
Mary Ellen first fell in love with textile arts when her mother introduced her to garment sewing at age 8, and from there she became passionate about sewing, crochet, and embroidery. Like so many quilters, she was drawn to quiltmaking shortly after the occasion of her own child’s birth. In the art of quilts, she finds a place for self expression and an opportunity to get lost in the long-term process of designing and making her own quilts. Favorite materials include cotton and linen in modern prints or bright solids, but as a lover of texture, Mary Ellen incorporates various types of fabrics in her quilts including silk, velvet, corduroy, and denim. |
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Martha Bates
LOVE is my favorite word. It is what made a military family adopt me and bring me to the United States. It is what helps me with my daily view of the community and world I live in. It is also what I feel when making quilts. I love color and I love the challenge of using various color combinations that would not normally be compatible. A traditional quilter at heart, I have learned to use modern quilting methods, color combinations and designs to bring my creations into the present. In the beginning, I was self-taught but soon began attending classes which resulted in me learning to use beading, knitting, decorative stitching, embroidery (both machine and hand), hand quilting, home sewing machine and longarm quilting. Hand quilting is meditative and my all-time favorite method. LOVE is still my favorite word. After over thirty years of quilting, that word continues to color and direct my quilting experience. I have made friends, learned from teachers, and, even from those who critique my work. It is true, learning is a lifelong process. I am forever grateful to them for helping me along in my quilting journey. A special “shout out” to my quilting friends in Milwaukee, WI. I miss you all! |
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Rose Mary Briggs
Rose Mary's journey with sewing began at the tender age of ten, where she first navigated the intricacies of a sewing machine under careful supervision. Even before that, she dabbled in hand-stitched crafts and doll clothes. Growing up in a household where her mother was a skilled seamstress, Rose Mary witnessed the art of transforming store-bought clothing with hand or machine-made embellishments. Altering second-hand garments to fit both the wearer and the occasion became a norm, and Vogue and McCall patterns were regularly employed to capture the latest styles and mark special events. Her family's trusty pedal-powered Singer sewing machine played a pivotal role in her early sewing endeavors, extending beyond clothing to curtains and furniture upholstery. The tradition of crafting handmade gifts for various seasons and reasons became a cherished part of her identity. The world of quilting entered Rose Mary's life during her fourth year of college, where she encountered a seasoned hand quilter who made quilting a livelihood. Although she officially began quilting in 2017, the Sankofa Stitchers, an African American quilt group, have been instrumental in teaching her the foundations of quilting—exploring diverse patterns, materials, techniques, and tools. Embracing a wide range of fabrics, from batiks to African prints and geometric designs, Rose Mary's quilting palette is as varied as her interests. With a penchant for blue, she has predominantly crafted wall and lap quilts. Beyond her creative pursuits, Rose Mary finds joy in rescuing cats and dogs, nurturing her garden, indulging in interior design shows, and exploring estate sales. |
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Ora Brown
I hail from Trenton, NJ, a true Jersey native, and retired as an OB-GYN Nurse. My passion for crafting began with Counted Cross-Stitch, until a stroke left me unable to wield a needle. Undeterred, I embraced a sewing machine, creating a plethora of small crafts – from pillows to pouches and baby gifts. The turning point came one Sunday when my friend Jane Wyche asked if I quilted. Intrigued, I confessed my lack of expertise but expressed eagerness to learn. Thus began my journey with the Sankofa Stitchers, a group I joined five years ago, and the rest is now woven into the fabric of my personal history. In my youth, my height posed a challenge for finding well-fitting clothes, prompting my mother to become my personal seamstress. While I initially favored outdoor sports over sewing, high school marked a shift. Faced with the same sizing issues, I took matters into my own hands, crafting clothes that garnered compliments and fueled my growing interest in sewing. Crafting, a skill inherited from my mother, has been a lifelong pursuit. I vividly recall learning to knit with pencils at a tender age. Today, my craft extends to quilting, a heartfelt endeavor for my children, grandchildren, family, and friends. The joy and appreciation that radiate from their reactions are my greatest rewards. Throughout this creative journey, my husband remains my unwavering #1 fan. |
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Janet Byard
Embarking on my quilting journey 15 years ago, sewing has been a lifelong passion, rooted in childhood memories of my mother's creations and the tales of a generational sewing "factory." From a family tradition of sewing machines, my paternal grandmother's hand quilting, and my own sewing classes in school, I eventually became a Home Economics teacher and later a school counselor. Even after retirement, my love for sewing persisted. Classes at a local sewing store opened up new creative possibilities, teaching me that color choices are subjective, mistakes can spur creativity, and my penchant for vibrant fabrics earned me the endearing label of a "fabriholic." Describing my quilting style as "eclectic," I continued to explore and experiment. Meeting inspiring individuals along the way, I was honored when Linda J. Hahn asked me to contribute quilts to her books, "New York Beauty Simplified" and "New York Beauty Diversified." This recognition marked a humbling and privileged chapter in my quilting journey. My story encapsulates a family legacy of sewing, a commitment to education, and a profound connection to creativity. Sewing machines in family homes and tales of the sewing "factory" underscore the generational bond in my narrative. In essence, my quilting journey reflects a lifelong devotion to creativity, a willingness to embrace mistakes, and an enduring love for vibrant fabrics. |
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Rachel D.K. Clark
Rachel D.K. Clark is a contemporary folk artist, teacher and lecturer who comes from a long line of sewers, beginning with her great-grandmother. She has been doing wearable art since 1973 and teaching on the national circuit since 1990. Eclectic fabric mixes, vibrant designs, and a keen sense of humor characterize Rachel’s work. While Rachel's garments and quilts can be whimsical, political or a personal statement her work always reflects her love of traditional quilt making. She has done many one-woman shows around the country and her work has been featured in various gallery shows, magazines such as Threads, and “The Quilting Quarterly” on HGTV’s Simply Quilts. Rachel has designed her own pattern line, RDKC Patterns. The line includes full patterns: "Picture This" Coat, “Picture This” Vest, “The A-Line Coat”, “The Boxy Coat” and “The Flare Coat”. She also has two wall quilt patterns called “Scrap Happy” and “Picture This” Nigerian Appliqué, as well as pattern for a "monster" sized purse called Monster Purse and a tiered skirt. If you're looking for some new techniques, check out Rachel's how-to booklets: "Picture This" Techniques, The African Safari of Design, and All About Seams. For information about her workshops and lectures, visit https://www.rdkc.com/ |
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Crystal L. Cochren
Crystal Cochren is a serial crafter. She has worked on a wide variety of creative projects since she was a young girl. Crochet was the first craft that she ever learned. At age 7 or 8, her great-aunt Elizabeth was patient enough with her and her left-handedness to teach her that skill. In addition to crocheting, Ms. Cochren enjoys doing paper crafts and working with fabrics by quilting, sewing and creating French Memory Boards. Also, charity quilting is an important activity for her. Ms. Cochren took a hand quilting class in 2004 and realized that she hates sewing by hand. In August 2016, her husband bought her a sewing machine and she tried quilting again. She has created numerous quilts in various sizes since the summer of 2016. “Remember to take some time to create” is her favorite mantra. During the day, Ms. Cochren practices law in the great Garden State. She received her J.D. from Rutgers University School of Law – Newark. Additionally, she earned her Master of Divinity from Drew University Theological School in 2010. She received her Bachelor’s degree from Brown University. You can learn more about her at CrystalCochren.com. |
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Mada Coles Galloway
Mada Coles Galloway is a retired educator of 34 years. She has a BS from the College of New Jersey and a Masters of Educational Psychology from Temple University. She has studied interior design and enjoys creating unexpected yet harmonious color palettes. Mada has always been interested in various needle crafts, but quilting remains her passion. She frequently used quilting as one vehicle to teach math and American history. Modern traditional and improvisational quilting are her favorite styles and she enjoys creating her own patterns. Mada has exhibited her quilts in shows and currently belongs to two quilt guilds. She currently serves on the Human and Civil Rights committee for Mercer County, and the board of the Mercer County NJ Teachers Federal Credit Union. |
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Sheila M. Colson
In 2008, Sheila embarked on her quilting journey, setting the stage for a remarkable creative path. Her passion for crafting dates to her youth, and it reached a pivotal moment during her senior year in high school when she crafted her very first quilt. Armed only with clothing scraps and basic sewing tools, Sheila birthed a lifelong love for quilting. To refine her skills and immerse herself in the art, Sheila joined a quilting group in 2008. Here, she eagerly absorbed knowledge from fellow enthusiasts, delving into various techniques. Modern, traditional, and paper piecing methods soon became her signature styles, with each stitch weaving a unique story. Beyond personal satisfaction, Sheila excels as a long-arm quilter, adding the finishing touches to heartwarming charity quilts. Her dedication extends to teaching; she serves as an instructor, generously sharing her expertise with newcomers through a Philadelphia guild. Sheila's commitment to nurturing the next generation of quilters is truly inspiring. |
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Josie Dakers-Braithwaite (AKA Josie)Josie is a fiber artist specializing in textiles, felt, dollmaking and quilt art. Her mother and aunt taught her to sew at a young age, and she was also inspired by her father, a stone mason.
A graduate of the Fashion Institute of Technology in New York City, Josie started quilting and felting after a career in the apparel industry. She created Josie’s Colourful Journey in 2014 to showcase her artwork. Josie’s quilt and felt work have details that express her love for experimenting with colors and patterns. Many of Josie’s quilts feature vibrant colors and patterns with black and white accents. She enjoys both wet and needle felting, and often adds hand embroidery and beading to enhance her felt work. Inspired by nature, floral landscapes, color, museum visits and everyday elements, Josie pursues her craft with precision and enthusiasm. She finds new techniques to enhance her work and frequently combines quilting with felt art. Her goal is to bring joy and a smile to her viewers and collectors. A working artist, Josie participates in local quilt shows and art fairs. She enjoys teaching felt art in the local schools and adult workshops. Exhibit locations include New York’s Lincoln Center, a juried art show and The Center For Contemporary Art (NJ). She is also a member of the North Jersey Modern Quilt Guild, Sisters in Stitches Joined by the Cloth Guild, Princeton Sankofa Stitchers MQG, Northeast Feltmakers Guild (U.S.),International Felt Association (U.K.), Surface Design Association and Studio Art Quilt Association. |
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Mittie Dawson
With over 35 years of quilting experience, I consider myself a dedicated fiber artist who enjoys playing with textures and colors to create one-of-a-kind, practical pieces. My focus on details, color, and quality is just my way of expressing genuine care for my craft. As a businesswoman in the quilting realm, I find joy in bringing satisfaction to clients across the United States with quilts of various sizes. Surprisingly, my work has found its way to esteemed institutions like the Smithsonian Institute in Washington D.C. and the Richard Nixon Library and Birthplace in Yorba Linda, California, who kindly enlisted me to provide unique items for their museum retail spaces. A few years back in Shreveport, Louisiana, I impulsively entered a local quilt show with three quilts I happened to have in my car trunk. While expecting perhaps an "Honorable Mention," I ended up with 1st, 2nd, and 3rd place ribbons, a pleasant surprise. Alongside my artistic endeavors, I've shared my quilting knowledge as an instructor at Glendale City College in California and various quilt shops in California, Louisiana, Georgia, and Bermuda. My quilts, ranging from $300 to $10,000, have garnered a waiting list, and I'm genuinely grateful for the interest in my work. Looking ahead, I'm excited about the prospect of designing and creating more quilts, staying grounded in the joy of the craft. |
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Dr. Tony Jean Dickerson
Dr. Tony Jean Dickerson is a lifelong sewist and 2nd generation quilter who turned her focus from creating clothing to the art of manipulating tiny pieces of fabric into quilts at the tender age of 50! Born and raised in Indianapolis, IN, she spent some 30 years as an educator in the Kansas City, Missouri area before returning to Indy in 2017. A 2019 graduate of Kansas University’s Educational Leadership and Policy Studies Doctoral program, she is the Dean of the School of Education at Martin University, and president of the Akoma Ntoso Modern Quilt Guild of Central, IN. Her guild members range in age from seven years to 70+ years and balance their efforts towards those projects that are aesthetically comforting and those that are socially relevant and educational. Dr. Dickerson loves a challenge and has decided that she wants to turn her interest to hand sewing in 2022. Always for finding a way to honor her mother with her craft, Tony’s mother sewed her quilts exclusively by hand. She is particularly interested in the Kawandi quilts created by the African Siddi people of India. This process involves taking beautiful scraps of material and creating a hand sewn quilt from the outside in. Dickerson is in awe of how the quilts are so reminiscent of the ones her mother created. |
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Connie Ellis
Connie Ellis discovered her passion for sewing during her teenage years, inspired by the craftsmanship of her mother and grandmother who created stunning garments. Excelling in sewing during high school, where it was a requirement, she found herself captivated by the art. Frustrated by the inability to find ready-made clothes with the "perfect fit," Connie started crafting her own wardrobe. Intrigued by her grandmother's talent for transforming leftover fabric into beautiful quilts, Connie marveled at the artistry that could arise from a scrap pile. After taking a break from the sewing machine, she reignited her love for the craft, driven by a desire to honor her grandmother's legacy. Connie embarked on a journey to explore the African American tradition of quilting and delve into the techniques of modern quilting. Today, Connie actively participates in the quilting community, contributing her skills and creativity. She is a proud member of the Piecemakers and Princeton Sankofa Stitchers MQG, where she continues to expand her knowledge and expertise in quilting while cherishing the rich heritage of this art form. |
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Paulette File
I was born and raised in Muskegon, Michigan. Before coming to Princeton, NJ in 1999 I lived in Tampa, Chicago, and Boston. My mother and grandmother made clothes as I was growing up, so I learned to sew garments at a very early age. When a friend asked me to join her in learning to quilt, I initially turned her down because I thought quilting was for “old ladies”. I eventually accompanied her to a quilt shop for a “make and take” and was pleasantly surprised to see the wide range of modern quilts, as well as the interesting women who made them. Little by little I became more and more interested in this craft. I prefer modern quilts and bright colors. Most of the quilts I’ve made have been small or throw size. I enjoy putting together the top of the quilt, but I prefer to have someone else long arm quilt it for me, after the top is done. I enjoy making patchwork, appliques, and paper piecing. I am also interested in learning more about wearable art and embroidery. |
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Tamara Francis
From my North Carolina roots, the love for quilting took root early in my life, nurtured by the skilled hands of my paternal grandmother and aunts—gifted stitchers and quilters. While on a Martha's Vineyard vacation, the flame of my passion for this intricate art form was rekindled at the Mariposa Museum and Cultural Center. There, I marveled at contemporary story quilts by the Women of Color Quilters Network, sparking a determination to delve deeper into the world of quilting. Embracing various learning avenues, I began my quilting journey with a local class, delved into YouTube tutorials, absorbed insights from quilting publications, frequented quilt shows, and sought guidance from fellow stitching enthusiasts. Joining the Princeton Sankofa Stitchers Modern Quilting Guild in October 2021 marked a pivotal step, and I proudly completed my first quilt using the Lucky Stars Fat Quarter Quilt Pattern. Quilting, to me, is a fusion of acquired artistic expressions, an unfolding creative process that intertwines my love for history, culture, the arts, and travel. Drawing on my background as a retired (2012) Librarian/Educator, I bring a wealth of knowledge and access to innovative resources to my newfound passion. As a novice quilter, I am thrilled to explore and create quilt art that radiates with vibrant colors, reflecting the myriad influences that shape my life. Quilting has seamlessly woven itself into the fabric of my existence, bringing joy and endless discovery. |
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Juandamarie Gikandi
Sewing has been my lifelong passion, ignited at the tender age of six. Almost twenty years ago, I embarked on a self-taught journey into the art of quilting. My inspiration arose from a tangible link to family history—a quilt crafted in the 1920s by my great-great-great Aunt in Arkansas. I take my cue from the experiences of people who suffered the African Diaspora, and following my ancestors' path, I create utilitarian items for my family, including six children and grandsons. Beyond tradition, my art quilts express perspectives on historical and social justice issues. Notably, I contributed a block for George Floyd to the Social Justice Sewing Academy and led a project that recreated the historical Harriet Powers' Pictorial and Bible Quilts. As principal writer and program director for the 2016 National Endowment for the Humanities Program, "Common Quilts: Uncommon Heritage," I led a collaborative project showcasing traditional and modern African American quilts. Activities included digitizing community quilts, lectures, and preservation workshops. I’m honored to hold the position of founding president of the Princeton Sankofa Stitchers Modern Quilt Guild and am a member of several African American and Modern quilting guilds. Having retired in 2010 as a Harvard Graduate School of Education-trained teacher, I embody the ethos of "Each one, teach one"—a fundamental principle deeply ingrained in African American guilds. My journey in quilting is not just a personal endeavor but a dedicated pursuit to weave narratives, foster connections, and contribute to the ongoing legacy of this timeless craft. |
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Dr. Ronah Harris
Artist and educator Ronah Harris has been a quilter for much of her life. Her previous work in fiber and textiles has been primarily in costumes. Her most recent works are exploring collage, imagery and historical context of Black Identity using the quilt as a medium for resistance and storytelling. When she is not making art, Ronah is the founder of Play Pattern LLC, a digital platform for curious children to learn arts and technology. A former producer of children’s media, she was awarded Two Daytime Emmys for her work on the educational television shows Sesame Street and The Electric Company. Dr. Harris teaches part-time at New York University, and advises on a variety of projects – most recently the engaging YouTube series Super Sema, and PBS Weather Hunters. Dr. Harris holds a B.A. from The New School, New York (1999), a MSED from the University of Pennsylvania, Philadelphia, PA (2006), and Doctorate in technology from Teachers College, Columbia University (2017). Website: www.playpattern.com Email: [email protected] Instagram: @Ronahharis Play Is the Highest Form of Research. -Albert Einstein |
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Steven H. Hobbs
Steven H. Hobbs is a Renaissance individual, seamlessly blending a diverse array of roles such as storyteller, educator, lawyer, poet, ethicist, historian, quilter, entrepreneur, consultant, actor, community organizer, and world traveler. Embracing the moniker of a "storyframer," he expertly constructs narratives that interlace history, law, entrepreneurship, culture, life, and the art of quilting. His storytelling is a vibrant celebration of wisdom, humor, and the resilient human spirit. A magna cum laude graduate from Harvard University with a Bachelor of Arts degree in Afro-American Studies, Steven further enriched his academic journey by earning a Juris Doctor from the University of Pennsylvania Law School. His professional path includes serving as a member of the Washington and Lee University law faculty and holding the Tom Bevill Chair of Law at The University of Alabama School of Law. In both his professional and scholarly pursuits, Steven remains steadfast in his commitment to fostering the equitable distribution of social and legal benefits to individuals. His teaching portfolio encompasses classes on family law, professional responsibility, constitutional law, entrepreneurship, and social and economic justice. Additionally, he explores these topics in his written works, reflecting a deep dedication to addressing vital issues. Beyond the conventional, Steven's creative spirit extends to the world of quilting, where he stitches together the threads of tradition and innovation. His quilting artistry serves as a metaphor for the intricate tapestry of life, adding a unique and textured dimension to his narrative. |
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Joyce James
Born and raised in Philadelphia, Pennsylvania, I made my way to New Jersey in 1979. At the tender age of ten, my mother imparted the skill of sewing, a craft that became a fundamental part of my upbringing. Throughout my formative years, we crafted our own garments, a tradition I carried into my mid-twenties, sewing with varying degrees of regularity. For over 30 years decades, I dedicated my career to education and counseling. Upon retiring, I discovered a newfound passion for quilting. Delving into this art, I enrolled in multiple classes at the local community center, embarking on a decade-long journey in the world of quilting. I'm particularly drawn to modern quilting techniques, reveling in the use of negative space. My most cherished creations include quilts in a dynamic bargello style and a recent modern quilt crafted during a virtual class hosted by a modern quilt guild. Beyond quilting, I find joy in knitting, yet my greatest pleasure lies in the company of my five grandchildren. Whether it's creating bed-sized quilts or wall hangings or engaging in the tactile art of knitting, every stitch intertwines with the rich tapestry of my life, reflecting a love for craft and family. |
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Alyssa Peacock Leonard
Alyssa Peacock Leonard is a Human Resources professional located in Nashville, Tennessee. Amid the challenges of the pandemic, Alyssa rekindled her love for sewing and quilting as a source of solace. Finding peace in the art of embroidery, she especially enjoys exploring the intricate techniques of Kantha and Kawandi-style quilting. Alyssa is a fervent supporter of the symbolic significance of Underground Railroad quilts, cherishing the blocks associated with them in the depths of her heart. Her artistic repertoire is a testament to her commitment to social justice, featuring pieces that honor the women who have left a lasting impact on her life. |
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Peggy Martin
I was born in Buffalo, New York, where my paternal grandmother first introduced me to the art of quilting. It wasn't until years later, during a visit to the Gullah Festival in Beaufort, South Carolina, that I truly fell in love with quilts and their exquisite beauty. Considering myself a lifelong learner in the realm of fiber arts, I am always eager to explore new techniques. Among my cherished quilting activities, attending quilt shows holds a special place in my heart, particularly the International Quilt Festival in Houston, Texas, and the Atlanta Quilt Festival. I have a particular affinity for African fabrics and am drawn to the improvisational piecing technique. Creating meaningful quilts is a joy for me, whether it involves transforming family reunion T-shirts into memorable tee shirt quilts or crafting baby quilts for my great-granddaughter. As a dedicated member of four quilting guilds, I have proudly contributed to the Buffalo Southern Shore Quilt Guild (BSSQG) for two decades, having served in various roles, including President, VP Programs, Treasurer, Co-Chair 2020 Kick-Off, and Special Events Coordinator. My work has been exhibited at the Lucy Laney Museum, Atlanta Quilt Festival, and Clark Atlanta University. In 2018, I achieved the honor of securing second place in the Tri-Guild Quilt Competition, followed by winning first place in the Art Category at the Atlanta Quilt Festival in 2019. To me, quilts are not just fabric creations; they are like musical notes, singing to your soul and bringing out the best in you. |
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Victoria Meisel
As a young girl in Jamaica, I was captivated by the rhythmic hum of my mother's sewing machine as she crafted our clothes and stitched together vibrant patchwork quilts during her free moments. Beneath the table, I fashioned doll clothes from the discarded fabric scraps, sparking an early passion for sewing. Years later, inspired by my daughter's quilting class, I ventured into quilting myself, recreating a vibrant African-print quilt for a friend heading back to Iceland. My quilting journey deepened as I enrolled in a local quilting class, creating my first sampler quilt and crafting a heartfelt memory quilt for my stepmother's 75th birthday. Joining the Peacemakers of Princeton opened doors to collaborative projects, including a meaningful cross quilt donated to the Witherspoon Street Presbyterian Church. Later, as a member of the Friendly Quilters of Bucks County, I contributed to charity initiatives, crafting comforting quilts for children at CHOP. Now a proud member of Princeton Sankofa Stitchers MQG, I continue to grow as a quilter, cherishing the camaraderie of this supportive community. Beyond my quilting pursuits, I am a retired nurse devoted to sewing for charity, exemplified by my recent efforts in crafting and donating Covid masks to CASA (Court Appointed Special Advocates). While I may not claim mastery, I find joy in learning and evolving with this community of compassionate, nurturing quilters. Each gathering brings new insights, and I look forward to furthering my quilting journey with these inspiring individuals. |
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Judith A. (Miss Judy) Miles
Hello, I'm Judith A. Miles, born on May 21, 1935, in Appomattox County, VA. I relocated to Whitesboro, NJ, with my sister, brother, and mom, Toyksie Belle Abbitt, to live with my great Aunt Sallie, who happens to be my grandmother Judith's sister. My sewing journey started in 8th grade when I made an apron in a class with our principal, Mrs. Edmunds. The hum of a Singer machine became familiar to me as I continued sewing through high school in home economics class. In 2001, I delved into the world of quilting with the Friendly Quilters of Bucks County. Over time, I've crafted numerous baby quilts and recently completed a queen-sized masterpiece for my bed, featuring calming orchid, lavender, and purple shades. The quilt came together with fabric pieces I had carefully saved up, making the entire process quite therapeutic. Beyond crafting, I'm a proud mother of two, grandmother of three, and great-grandmother of five. I find immense joy in sewing quilts and knitting blankets for my family. Actively engaged in the Shiloh Baptist Church missionary group, I love contributing to charity through sewing. In the early days of Covid-19, I channeled my skills into sewing hundreds of masks for donation. |
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Gail J. Mitchell
I’m proud to be a Jersey Girl hailing from Newark, New Jersey. My roots are in Pennington Court, where I was born and raised with my parents and five siblings. Later, we moved to East Orange, settling into my Aunt Jane and Uncle Harvey's home on North 15th Street, known locally as "Down the Way!" My passion for learning ignited during my school years, leading to academic excellence and culminating in my graduation from E.O.H.S. in 1964. I continued my educational journey at Trenton State College in 1969, eventually marrying Mitch and starting a family. Alongside raising my children, my love for art blossomed, initially expressed through sewing their clothing. In 1989, a transformative encounter with the renowned Tar Beach author, Faith Ringgold, sparked my interest in quilting. Faith Ringgold graciously signed my first quilt, titled "Anyone Can Fly," marking the beginning of my enduring journey in quilting, knitting, and sewing. Specializing in photo transfer and signature quilts, I've amassed a noteworthy collection signed by actors, actresses, politicians, poets, and colleagues from my thirty-five years of dedicated public-school teaching in New Jersey. My deep connection to the world of quilting intertwines with my identity, and I've had the honor of crafting pieces that bear the signatures of notable individuals. Adding to my life's tapestry are my two published books, "Learning English the Cultural Way" and "Makers & Keepers, Poems and Selected Poetry." These literary accomplishments stand as highlights, reflecting the diverse facets of my life experiences. |
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Candra Parker
I am a self-ordained Quilt Poet, textile artist, and Black quilt historian living in Richmond, VA, where I was born. My interest in making beautiful things was nurtured by the women in my family, who taught me to crochet, knit and sew by the time I was in fifth grade. I developed an interest in quilting during my time living in Indianapolis in my mid-twenties. The Log Cabin will always be my favorite pattern because it is so versatile. I tend to like muted color palettes and want to further explore cotton and wool dyeing to get the exact colors and values that I want/need. My quilt practice is more about the process than the product. I have so many concepts still in sketchbooks. My projects do vary: historic reproductions, variations on traditional patterns, and original designs. My motto is—‘EVERY QUILT A STORY”—from the fabrics selected, textures, colors, to the final quilt pattern done on my longarm or by hand. Teaching is new passion of mine, and I am on the faculty of the local community arts center. I teach quilted coats to guide my students to create wearable art that fits! I lecture on historical quilts to spark the interest of young people and other audiences by sharing the significance of the works of Black quilters and makers with proper crediting and acknowledgement. Being an on-going part of the collective creative conscience of the Black Quilter community is good for the soul and feeds my artistic growth! |
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Lesyslie D. Rackard
Lesyslie D. Rackard's passion for sewing has been a lifelong journey, stemming from her introduction to the craft during her years at Bancroft Elementary School in Boston, MA. Home economics, a mandatory part of the curriculum at the time, laid the foundation for her skills. Starting with a gingham checked bookbag and progressing to a white apron for basic cooking, Lesyslie has transitioned from the culinary realm to the cozy world of handcrafted quillows, quilts, dolls, and casual wear. Approximately 25 years ago, Lesyslie embarked on her quilting adventure, initially teaching herself through library books and magazines. Her skills flourished further as she began taking classes in the Boston area. Despite considering herself a beginner, the sheer joy of creating beautiful keepsakes motivates Lesyslie to craft for her family, friends, and community. Formerly an Administrative Assistant at Tufts University, Ms. Rackard has embraced retirement and remains dedicated to the African American quilting tradition. Actively involved in various community activities, Lesyslie is a member of several guilds. Her work has gained recognition through exhibitions in Massachusetts, New Jersey, California, Connecticut, and Georgia, showcasing the artistry that has become synonymous with her name. |
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Sherle Reese
Every day, I embark on the journey of crafting a life I adore through the creation of scrappy quilts—a passion that has consumed me for the past decade. I've come to realize that quilting is more than just a hobby; it's a divine calling, a ministry bestowed upon me by God, and my fervor for it knows no bounds. This craft has become an integral part of my identity. Over the years, I've found solace in quilting, especially during challenging times. The quilts I design serve as tangible expressions of God's love and care, each stitch a testament to the resilience of the human spirit. My preferred styles are improvisational and scrappy quilting, where I delight in assembling small pieces to form 9.5-inch scrappy quilt blocks. What brings me immense fulfillment is gifting these quilts to individuals grappling with health issues, hardships, or any life challenge. In times of need and crisis, quilting becomes my way of giving back to the world, spreading joy through the act of creation. I derive great joy from sharing this creative journey with others who, like me, find blessings in the art of making. The camaraderie with kindred spirits who share this passion is a profound blessing in itself! |
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Marilyn Sifontes
Introduced to quilting in my grandmother's Western Pennsylvania home as a child, I officially began quilting in 1997. I would gather fabric scraps from the floor, stitching them onto larger canvases to mimic her craftsmanship. In 1998, a friend, an accomplished quilter, conducted a quilt class at our church's community center, sparking my quilting journey. As a parent, I started cutting 5-inch squares with the dream of crafting quilts for my family. In 2014, I moved to Baltimore, prompting me to seek new quilting connections. This search led me to a friendly sewing group at a local nursing home. In 2018, as I anticipated a move to Atlanta, I looked for a quilting community similar to the ones in Buffalo and Baltimore. Devoted to traditional quilting, favoring vibrant hues and African fabrics, I joined the Brown Sugar Stitchers Quilt Guild in Atlanta five years ago. I support the guild in various roles, such as Ribbon Lady and Sickle Cell Coordinator. I've showcased my quilts in diverse venues, including the "Colorful Quilts that Bind us Together" exhibit at the Burchfield Penny Art Gallery. Always seeking new patterns and techniques, my recent exploration into Sankofa Stitchers presented new challenges. With retirement providing ample time, my skills expand daily. While my comfort zone has defined me, I actively challenge myself to explore new techniques and patterns. My quilt journey is ongoing, with much more to learn and countless quilts to create—a legacy that, I believe, would make my grandmother proud. |
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Arnette Smith
Greetings, I'm Arnette, hailing from the charming town of Cheltenham, PA. My journey with the art of sewing began at the tender age of 12, but it wasn't until the year 1988, when my son started attending day care, that I truly discovered my passion for quilting. Picture this: a patchwork of memories and creativity coming together in perfect harmony. That's what quilting became for me, and my heart found its true beat. Among the various techniques I've explored, none quite captivates me like paper piecing. It's a meticulous dance of precision where every point emerges flawlessly. And when you combine the artistry of paper piecing with the rich, vibrant world of batik fabrics, something magical happens. Each creation becomes a unique masterpiece, a testament to the marriage of technique and artistry. Over the years, I've stitched my way through quilts of all sizes, from charming 8” x10” wall hangings to opulent king-size bed quilts. Yet, if I were to pick a favorite canvas, it would undoubtedly be the lap size. It provides the perfect stage to showcase an array of patterns, fabrics, and quilt stitches without the endless wait. The result? A tapestry of stories and creativity, woven stitch by stitch. |
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Kim Taylor
Kim Taylor, a graduate of Howard University's School of Human Ecology in the bicentennial year, cultivated her fabric preparation skills during her academic journey. In 1976, she embarked on her quilting journey by participating in a one-day quilt-a-long, constructing her inaugural "Log Cabin" quilt using the "knot" method. Five years into her retirement from public school education, Kim enthusiastically joined two quilt groups that ignited her creative spirit. Her quilting prowess draws inspiration from her travels and the intricate "Underground Railroad" quilt blocks, which often feature prominently in her creations. Being part of the quilting community has connected Kim with fellow artists boasting "mad skills" and exceptional talent. She appreciates their shared commitment to fostering a sense of community through philanthropic endeavors, sharing knowledge, and educating others. This communal spirit deeply resonates with her. Quilting, for Kim, is not just a pastime but a lifelong hobby she intends to pursue with dedication. The vibrant community of like-minded individuals, coupled with the joy of creating beautiful quilts, ensures that Kim's passion for quilting continues to thrive. |
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Tarsha-Nicole’ Taylor
Tarsha, a seasoned handcrafter based in Massachusetts, brings over 20 years of expertise in diverse needle crafts. Specializing in quilting for the last 19 years, she seamlessly weaves her passion for knitting, crocheting, porcelain doll making, beading, bobbin lace, and more into her artistic repertoire. Tarsha infuses time and dedication into each project, relishing the challenges from material selection to pattern design, culminating in the final stitch or paint application. A multitasking artisan, Tarsha adeptly manages multiple ongoing projects, never succumbing to monotony. Her artistic journey is meticulously documented through the lens, capturing the evolution of each creation. In 2015, she expanded her craft by sharing her knowledge through teaching. As an instructor in quilting and knitting, Tarsha imparts valuable skills and educates on color theory, enriching the artistic pursuits of her students. Beyond her crafting prowess, Tarsha's professional identity extends to being an electrical engineer. This dual expertise showcases her diverse talents and unwavering commitment to both art and science. Tarsha continues to captivate audiences with her multifaceted creativity, leaving an indelible mark on the world of handmade masterpieces. |
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Michele Tuck-Ponder
After learning to sew in a home economics class, as a teen and young adult Michele loved to construct her own clothes. After many years away from a sewing machine, she discovered quilting and has never looked back. Michele enjoys working with geometric shapes and bright colors and considers herself a modern quilter. She prefers to make lap quilts, but on special occasions will sew a queen- or king-sized quilt. Michele gifts most of her quilts to special people in her life. She has declared 2020 "The Year of Paper Piecing" and is committed to honing her foundation paper piecing skills and learning English Paper Piecing. Fun Fact: Michele's other hobby is hula hooping! |
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Elisa R. Woods
My interest in quilting was sparked by my Grandma Maggie Curtis Bradley. Grandma Maggie bore four sons and five daughters, including my mother, Mary. They created ‘cover’—the weighted blanket of its day—from scraps of old clothing and left over cotton. My love and appreciation for the warmth of my grandma’s cover inspired me to remake this handicraft. So began my quilting journey. I have been joyously creating with fabric for over twenty years as an Atlanta-based quiltmaker, researcher, historian, sewist, textile enthusiast, devotee of thread, and instructor. I continue to explore all aspects of current consciousness through my creative endeavors, ranging from the traditional to the abstract. My quilts have been exhibited at several venues over the years: Atlanta University Campus Library, Atlanta Quilt Festival, East Cobb Quilt Show (Georgia), Bulloch Hall Quilt Show (Georgia), Rocky Mountain WaShonaji (Colorado), and Lucy Laney Museum (Georgia). As president of the Brown Sugar Stitchers Quilt Guild (BSSQG) for 2018 - 2021, and as one of its founding members, I am actively involved in moving the Guild forward by partnering with numerous communityty projects, such as the Social Justice Sewing Academy, Sickle Cell Anemia and Sew Powerful. I am devoted to keeping the Guild moving forward utilizing technology: lead the way with instituting Zoom during the 2020 pandemic, and establishing the Guild website, Facebook and Instagram, MailChimp and leveraging other technologies. |
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Jane Wyche
Born in Seattle, Washington, I've traversed the globe due to my father's military service, settling in Deer Park, Long Island, N.Y., during my high school years after his retirement. Later, my husband and I embarked on a journey that led us to Evansville, Indiana, and eventually Lawrenceville, N.J. My quilting journey began 41 years ago when, armed with minimal knowledge, I crafted my first quilt for my niece, Tara, using scraps from her clothing. Surprisingly, this initial venture turned into a masterpiece that ignited my passion for quilting. Eager to enhance my skills, I enrolled in quilting classes. Quilting is more than a hobby; it became my solace during a challenging period in 2002 when I underwent a stem cell transplant, spending an entire month in the hospital. Remarkably, my sewing machine accompanied me, providing comfort and distraction. Beyond a creative outlet, quilting has proven therapeutic for me. While I create most quilt tops myself, I entrust the quilting process to a skilled long-arm quilter. In addition to my creative pursuits, I serve as a licensed minister at Shiloh Baptist Church in Trenton. My commitment extends to community involvement, with a particular focus on youth outreach. Through quilting and ministry, I find fulfillment in contributing to the well-being of those around me. |